Designing with space, not around it.
Three very different environments one narrative flow. We had to make the locations part of the storytelling, not just backgrounds. Balancing composition, light, and movement across acts demanded precision, restraint, and a strong visual rhythm.
Theatre scenography, classical sculpture, and the geometry of silence.
The references were architectural and artistic: from ancient myths to contemporary installations. We wanted each frame to feel carved like a pause suspended in time, where the bag becomes both subject and sculpture.
Sometimes the quietest things leave the deepest impression.
Sottovoce doesn’t shout. It echoes. In stone, in shadow, in texture it celebrates the poetry of objects when given space to breathe.
Next projects.
(2023-25©)
