Creating fear without raising your voice
Forget pumpkins, cobwebs, and slasher tropes: the goal was to build a refined, cinematic kind of tension. We embraced an intentionally ambiguous fashion aesthetic seemingly glossy beauty shots, subtly contaminated with unsettling elements. The blood is real, but minimal. The lighting is clean, yet sharp. Each image is a visual riddle, where normalcy cracks just beneath the surface.
Between Hitchcock and fashion editorials
The inspiration came from two rarely combined worlds: psychological thrillers and fashion publishing. We studied how the masters of cinema built unease where a detail out of place is more frightening than a scream and translated that into an eyewear shoot. The clash between flawless styling and disturbing hints amplifies the sense of unease, without ever falling into kitsch.
A gaze that unsettles
With “I See No Evil” we reimagined Halloween through silence, ambiguity, and dissonant beauty. A campaign that doesn’t scream, but lingers. Like a cut you don’t notice until you see the blood.
Next projects.
(2023-25©)













